On Saturday September 17, at 9 p.m.at Crogiolo Marazzi Non è l’Ennesimo festivalfilosofia!
At the Crogiolo Marazzi the new justice-themed competition with 2 premières (one Italian, one foreign) for an evening in which to investigate the issues of social justice, civil rights, equity in relations between individuals in society and personal justice. In a world where it is increasingly popular to solve problems by oneself rather than try to change the rules, should the word justice be written with a lowercase letter or should it always be written with a capital letter?
For the fifth year, within the framework of the Festivalfilosofia, Non è l’ennesimo festivalfilosofia is back, the thematic short film review curated by Ennesimo Film Festival.
DURING THE EVENING THE SPECIAL MENTION OF THE JUSTICE SECTION OF THE NTH FILM FESTIVAL WILL BE ASSIGNED. A SELECTED JURY TO ASSIGN THE MENTION!
PANEL OF JUDGES
Alice Zacchi
After graduating in Communication Sciences, she worked as editor in the “Atlante” publishing house, specializing in essays and photography books, with a specific series dedicated to Cinema. In the meantime, she collaborated with “Home Movies – National Archives of family films” for the recovery and restoration of the Togni fund. The call of the educational mission leads her to walk the path of teaching, becoming a teacher and having the opportunity to train as a visual education operator at school. In the role of Vice Dean, she spent herself in promoting and designing actions aimed at integrating audiovisual language into teaching, including CinemaScuola Lab.
Pietro Montani
Pupil of Emilio Garroni, he is full professor of Aesthetics at the Sapienza University of Rome, was Directeur d’Études Associé at the EHESS in Paris and taught Aesthetics at the Experimental Center of Cinematography in Rome. His research of him today focuses mainly on the themes of philosophy of technique. For Montani, aesthetics should not be considered as a philosophy of art, but as a theory of human sensitivity, which has the peculiarity of being open to stimuli from the outside world. Montani’s reflection unfolds in different passages and through the comparison with some of the protagonists of the philosophy, linguistics, semiotics and cinema theory of the twentieth century, always having Kant’s critical philosophy as a point of reference.
Martina Zecchetti
Graduated in International Relations, she has carried out volunteer experiences in the field of teaching and tourism in Benin and Colombia and various training courses in the field of international cooperation, marketing and documentary cinema. Since 2017 she has been working in the Business Development sector, first for an innovative startup, followed by an engineering company, dealing with marketing and sales, human resources and training. Always passionate about politics and militant, in 2019 she began her experience in municipal administration in Cavriago, as councilor for culture with responsibility for the enhancement of collective identity, places, historical assets and knowledge, promotion of the territory, European policies and Access to opportunities.
